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Mar 12, 2010

Tom Cruise's Career Rehab Secrets

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  BS Top - Masters Cruise Rehab Chung Sung-Jun / Getty Images With a new action movie out this summer, Tom Cruise has been shrewdly rehabilitating his image while Mel Gibson founders. Kim Masters talks to Cruise's inner circle about the comeback.
Tom Cruise does not want to be No. 2. A week ago, Fox moved Cruise's upcoming action-romance, Knight and Day, from its July 2 release date to the previous weekend. And so Cruise dodged a bullet: The comeback movie pairing him with Cameron Diaz got out of the way of a behemoth known as The Twilight Saga: Eclipse.
In the middle of a carefully orchestrated comeback, Cruise did not want his film to open at anything but No. 1. He did not want to look like the older alternative to the wan youths of Twilight. "Let's face it, he is resurrecting his career," says an executive working on the project. "This is an incredibly important movie for him."
“I’ve never in my career seen a star actually listen when people say, `This is what is wrong.’ ” But Cruise did, says a key member of his inner circle.. “He actually said, `I was arrogant.’”
Choosing this movie—in a genre that suits his audience and teams him with a big-name co-star—was just one of a number of smart moves that Cruise has made to course-correct a career that had jolted off the rails. The carefully orchestrated process—following a highly unusual "intervention" by a cadre of professionals who explained to Cruise that his career was actually in trouble—makes an interesting contrast to the path followed by another major star who's trying to rebuild his relationship with fans.
Mel Gibson went through a notorious drunk-driving arrest in 2006, accompanied by a reported anti-Semitic and sexist outburst. And then came a divorce from his wife who stayed with him for 28 years and bore him seven children. And then, a young girlfriend and another baby.
Meanwhile, Cruise had his couch-jumping episode on Oprah, his tangle with Matt Lauer on the Today show and a viral tape in which he seemed to be high on enthusiasm for Scientology. Gibson's transgressions may have been more serious, but Cruise came off as weird—not a great quality for a popcorn-movie icon.
Gibson's comeback role, his first in eight years, was in a 2010 movie unfortunately titled Edge of Darkness. In his public appearances, he looked ill at ease. He walked out of a Los Angeles Times interview, citing jittery nerves because he'd just quit smoking. Though he returned to the conversation three days later and the resulting article made him appear respectful, the story began with a description of the walkout.
And that went far better than Gibson's appearance on WGN-TV in Chicago. "Do you think that the public will perceive you any differently after all that's been in the news about you?" an interviewer asked. Gibson hesitated and then said, "What are you referring to specifically?" The response made him seem either far too coy or simply unprepared for an extremely foreseeable question. When the interviewer persisted, Gibson replied with obvious irritation that he has moved on. With that, the interviewer wound up the conversation. "Asshole!" Gibson snapped, with his mike still live. And that, of course, went viral.
"Mel is a very difficult client to control," says a publicity executive who has worked with him. Another veteran publicist says Gibson's problem goes back to the aftermath of the arrest. The actor never issued a clear-cut apology, she says, which is mandatory in those situations. But another high-level executive who has worked with Gibson isn't so sure that would have helped. "There's nothing he could say that would convince me or anybody else that he doesn't feel that way, deep down," he says

Celibate Celebrities

Lady Gaga recently announced she has given up sex for now. From Jessica Simpson to Colin Farrell to Isaac Newton, VIEW OUR GALLEY of stars who took vows of chastity.
Click Below to View our Gallery of Celibate Celebrities
Plus: Check out more of the latest entertainment, fashion, and culture coverage on Sexy Beast—photos, videos, features, and Tweets.

Pink Floyd wins lawsuit with EMI over downloads

, On Thursday March 11, 2010, 3:03 pm EST
Pink Floyd won a legal battle Thursday against EMI that prevents the band's long-time record label from selling individual songs online.
Sir Andrew Morritt, chancellor of Britain's High Court, ruled that Pink Floyd's contract forbids EMI from breaking up the band's albums without its permission, according to a spokeswoman for the British judicial system. EMI had argued that the stipulation only applied to physical albums, not online sales.
The group's contract reportedly contained a clause to "preserve the artistic integrity" of their albums. The band has traditionally resisted selling individual songs from their "concept albums," which are meant to be listened to from beginning to end.
Pink Floyd, best known for the classics "The Dark Side of the Moon" and "The Wall," has become one of EMI's most lucrative contracts since it was first signed in 1967.
"We're huge fans of Pink Floyd whose great catalog we have been representing for more than 40 years and continue to represent exclusively and internationally," EMI said in a statement.
According to EMI, the case has been going on for "well over a year" and most of the issues have already been resolved. However, the record company added that there are "further arguments to be heard" and it expects the case to go on "for some time."
A spokeswoman for the law firm representing Pink Floyd said the band does not have a comment at this time

Mar 11, 2010

Best Foreign Language Film

Israel

Best Film Editing

Stephen Rivkin, John Refoua and James Cameron
Julian Clarke
Bob Murawski and Chris Innis
Joe Klotz

Best Visual Effects

Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Best Original Score

James Horner
Alexandre Desplat
Marco Beltrami and Buck Sanders
Hans Zimmer
Michael Giacchino

Best Cinematography

Mauro Fiore
Barry Ackroyd
Robert Richardson
Christian Berger

Best Sound Mixing

Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
Paul N.J. Ottosson and Ray Beckett
Michael Minkler, Tony Lamberti and Mark Ulano
Anna Behlmer, Andy Nelson and Peter J. Devlin
Greg P. Russell, Gary Summers and Geoffrey Patterson

Best Sound Editing

Christopher Boyes and Gwendolyn Yates Whittle
Paul N.J. Ottosson
Wylie Stateman
Mark Stoeckinger and Alan Rankin
Michael Silvers and Tom Myers

Best Costume Design

Janet Patterson
Catherine Leterrier
Colleen Atwood
Sandy Powell

Best Art Direction

Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
Art Direction: John Myhre; Set Decoration: Gordon Sim
Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Best Makeup

Aldo Signoretti and Vittorio Sodano
Barney Burman, Mindy Hall and Joel Harlow
Jon Henry Gordon and Jenny Shircore

Best Short Film (Live Action)

Juanita Wilson and James Flynn
Patrik Eklund and Mathias Fjellström
Gregg Helvey
Luke Doolan and Drew Bailey
Joachim Back and Tivi Magnusson

Best Documentary (Short Subject)

Daniel Junge and Henry Ansbacher
Steven Bognar and Julia Reichert
Roger Ross Williams and Elinor Burkett
Bartek Konopka and Anna Wydra

Best Short Film (Animated)

Fabrice O. Joubert
Nicky Phelan and Darragh O'Connell
Nicolas Schmerkin

Best Original Song

Music and Lyric by Randy Newman
Music by Reinhardt Wagner Lyric by Frank Thomas
Music and Lyric by Maury Yeston
Music and Lyric by Ryan Bingham and T Bone Burnett

Best Supporting Actor